(3 in half of 4)

Starring Natalie Portman, Orlando Bloom, Julie Christie, Shia LaBeouf, Robin Wright Penn, John Hurt, Chris Cooper and Bradley Cooper. Various directors. 110 minutes. At the Cumberland. 14A

Only a city as narcissistic as New York, punch-drunk in love with its own image, could hope to pull off the conceit of New York, I Love You, a series of short films in search of a feature theme.

The fact that the idea only partially succeeds is proof of the difficulty of giving an urban environment top romantic billing in a film that’s really about spontaneous human interactions.

Part of a planned franchise known as “Cities of Love,” which began with the much more satisfying Paris, je t’aime, the film rises and falls by its premise of giving a dozen or so international directors and a brace of actors a chance to make short-and-snappy comments on life in the Big Apple.

The “up” ones hold our interest and pique our curiosity. Mira Nair directs Natalie Portman as an orthodox Jew torn by religious convention and by her own romantic leanings when a business deal with a diamond merchant (Irrfan Khan) shows unexpected sparkle.

Yvan Attal’s segment is split into two fast-moving segments: Ethan Hawke’s comically horny hustler tries to pick up Maggie Q’s streetwise siren, while Chris Cooper and Robin Wright Penn make their own negotiations regarding appearances and intentions.

The “down” segments include Allen Hughes’ sad mini-essay on romantic regret, as a disconsolate Drea De Matteo struggles to fathom her one-nighter with a younger partner (Bradley Cooper).

Sadder and definitely stranger is the episode helmed by Shekhar Kapur, who took over for the late Anthony Minghella (to whom the movie is dedicated). Julie Christie is an opera singer who arrives at a chic Manhattan hotel with the evident intent to kill herself. A limping bellboy, played by a very game Shia LaBeouf, somehow connects with a character played by John Hurt to turn this suicide plan into a surreal memory trip.

While many of the segments amuse, and rarely wear out their welcome (the average running time is eight minutes apiece), it rapidly becomes apparent that each of them has some kind of twist, like an O Henry short story.

The result becomes less romantic and more Pavlovian, as we watch the set-up and then wait for its inevitable overturning. The gimmick reaches its groan-worthy limit in Brett Ratner’s episode about a prom night beau (Anton Yelchin) who finds that his wheelchair-bound date (Olivia Thirlby) is full of surprises.

New York, I Love You originally screened at the 2008 Toronto International Film Festival, where it included a short directed by Scarlett Johansson that has since been excised, reportedly because it didn’t suit the flow of the film.

The whole enchilada was billed at TIFF as a work in progress, and that designation still suits the finished effort, which is at once as maddening and as enthralling as New York City itself.

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A patchwork quilt sewn by the motliest crew of filmmakers, this American spinoff of the art-house anthology Paris Je T’aime (by the same producers), ranges in mood from ponderous, to cute, to enigmatic to enjoyably shticky to utterly confusing depending on which of the 11 short films on the Big Apple theme you’re watching.

Unlike, say, New York Stories — with its handful of tales from oh-so-New-Yorkers such as Martin Scorsese and Woody Allen — New York, I Love You is a paean to the city from people you often don’t necessarily associate with it.

Case in point: Chinese director Jiang Wen, whose tale of a young pickpocket (Hayden Christensen) and an older one (Andy Garcia), who spar at sleight-of-hand over the attentions of the old pro’s mistress (Rachel Bilson), could have been a Scorsese throwaway.

Or Mira Nair, who offers up a characteristically multiculturally themed story about a young Hassidic woman (Natalie Portman) who has ritually shaved her head in preparation for marriage, and her playful sympatico with a Jain jewelry dealer (Slumdog Millionaire’s Irrfan Khan).

To her credit, Portman’s own feel-good (if unmemorable) directorial effort, about a father-and-daughter in Central Park, is the only one to feature a black character. In New York.

Even Brett Ratner (Rush Hour) plays against type. There is not an explosion to be found in his quirky, hormone-drenched story of a nebbish high school kid (Anton Yelchin) facing the prom dateless, who is set up on a blind date with the handicapped daughter (Olivia Thirlby) of a curmudgeonly Italian shopkeeper (James Caan). There’s very little to be said about this episode without coming dangerously close to revealing the surprise end.

Caan’s character is one of a couple of repeat characters. But the true threadline character is Zoe (Emilie Ohana), an artist keeping a New York video diary, whose lens captures bits and pieces of each of the 11 stories. The result varies. But like a deli menu, there’s something for nearly every taste in New York, I Love You.

My favourite is an is-it-real playlet directed by Shekhar Kapur and set in a stately Plaza-like hotel, where an aging opera star (Julie Christie) contemplates suicide, while being catered to by a doting and solicitous crippled young bellman (Shia LaBeouf). Memories pile on memories, phantoms of lives past appear, all in a few minutes of sad drama.

At times, the barrage of mini-plays comes off like short-attention-span theatre. There is an almost co-op egalitarianism to the timing of the material, with some segments leaving the viewer wanting more and others wearing out their welcome somewhat in a short time.

But with the names and talents involved (others not previously mentioned here include Ethan Hawke, Orlando Bloom, Christina Ricci, Cloris Leachman, Chris Cooper and Eli Wallach), you know that nobody was going to get short shrift in the editing room.

If nothing else, the sheer volume of stories in New York, I Love You gives you plenty to talk about after.

(This film is rated 14-A)

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The film is a collection of intersecting vignettes that take place all over, you guessed it, New York. As a patriotic Canadian, I couldn’t help but wonder about Canada’s role in this parade of Hollywood stars acting in an American production about New York. I do believe that, much like Kevin Bacon, everything can be traced back to Canada.

Sure, there’s the obvious – Canadian Hayden Christensen is in it. But there must be more. And there is. So, without further ado, here’s a breakdown of all of the Canadian connections to this film’s impressive star roster I can think of.

1. Rachel Bilson. The former ‘The O.C.’ star is engaged to Hayden Christensen, who was born in Vancouver and raised in a Toronto suburb.

2. Ethan Hawke. He delivered guest lectures at Montreal’s McGill University in 2003. More salaciously, he allegedly had an affair with a 22-year-old Canadian student while filming a movie in Montreal while he was still married to Uma Thurman.

3. Bradley Cooper. ‘The Hangover’ alum is currently filming ‘The A-Team’ in Vancouver.

4. Justin Bartha. Mr. Olsen Twin co-starred in ‘The Hangover’ with Zach Galifianakis, who, according to GQ Magazine, is dating a Canadian lady. (Apparently the secretive Galifianakis wouldn’t let GQ publish her name, so she remains mysterious. And possibly made-up. Regardless, Canada was mentioned, so the Canadian connection – though rather weak – still stands.)

5. Natalie Portman. The high-profile Canadian musician k-os released the single “I Wish I Knew Natalie Portman” earlier this year, featuring fellow Canuck Nelly Furtado. Sample lyrics: “I’ve been on the run/ shadow weighs a ton/ I know I found a recipe, for me/ but I can’t really make you love me.”

6. Eva Amurri. Ms. Sarandon’s daughter is in Season 3 of ‘Californication’. Californication stars David Duchovny, who spent five years filming ‘The X-Files’ in Vancouver before it was moved to the States. (A move that was widely attributed to Duchovny’s complaints about Vancouver’s weather and being too far away from his wife, Téa Leoni.) He recently did a commercial voiceover for Canadian grocery giant Metro. But enough about Duchovny, he’s not even in this movie!

7. Drea de Matteo. ‘The Sopranos’ actress co-starred in the 2007 Canadian flick ‘The Good Life’, which was filmed in Winnipeg and Argyle, Manitoba.

8. Robin Wright (Penn). ‘The Princess Bride’ star was married to Sean Penn, who became the public target of the Ontario Minister of Health Promotion’s ire after smoking a cigarette at a press conference at Toronto’s Sutton Place Hotel in 2006. The gov fined the hotel $600 for not enforcing the Smoke-Free Ontario Act. Tsk, tsk, Mr. Penn. Apparently he didn’t get the memo re: smoking is no longer cool.

9. Cloris Leachman. ‘The Mary Tyler Moore Show’ alum co-starred in one of the best movies ever, ‘Beerfest’, as Great Gam Gam. Gam Gam’s husband, Johann von Wolfhaus, was played by Canadian legend Donald Sutherland.

10. Olivia Thirlby. The actress co-starred in ‘Juno’, which was filmed in Vancouver, directed by Canadian Jason Reitman and starred Canuck wunderkind Ellen Page.

11. Shia LaBeouf. The Beef used to live with his parents at their home in La Canada, California, before moving to La Bachelor Pad. OK, this doesn’t have much to do with Canada, la country. So sue me.

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Hayden Christensen: Ben
Andy Garcia: Garry
Rachel Bilson: Molly
Bradley Cooper: Gus
Natalie Portman: Rifka
Irrfan Khan: Mansuhkhbai
Orlando Bloom: David
Christina Ricci: Camille
Anton Yelchin: Boy in the Park
Olivia Thirlby: Girl in the wheelchair
James Caan: Mr. Riccoli
Ethan Hawke: Writer
Maggie Q: Woman on the Street
Julie Christie: Isabelle
John Hurt: Waiter
Shia LaBeouf: Jacob
Eli Wallach: Abe
Cloris Leachman: Mitzie
Drea de Matteo: Lydia
Chris Cooper: Alex
Robin Wright Penn: Anna
Director of Transitions: Randall Balsmeyer
Concept By: Emmanuel Benbihy
Premise By: Tristan Carne
Release Date: October 16, 2009
Running Time: 1 hour and 45 minutes

Rated R for language and sexual content.

New York, I Love You is the second installment of Emmanuel Benbihy’s global explorations of love. I still remember fondly watching Paris, Je T’aime on the big screen, being enthralled by how truly special each short was. Following that lead would be tough for anyone, but Benbihy and his writers have moved the concept to New York City, where viewers can be introduced to an assortment of eccentric people and neighborhoods. The result is not as masterful and refreshing as Paris, Je T’aime , but the vast array of styles and ideas still offers imaginative tales and an overall worthwhile film.

Paris, Je T’aime found the right balance between the quality of the directors and the quality of the casts. Nevertheless, it was the filmmakers time to shine, and they triumphed beautifully. New York, I Love You makes some changes to the format we fell in love with previously. First is that the star caliber is higher, while the directors are more unknown in many cases. This is fine, as it allows green filmmakers the chance to prove their talents, while still throwing in the intermittent famous director to have fun with a short. The most notable faces at the helm this time are Natalie Portman, Brett Ratner, and Mira Nair. The line-up is a jarring transition from the Coens, Gus Van Sant, Wes Craven, and Alfonso Cuaron, among others.

New York, I Love You was shot over a period of 36 days. The 10 filmmakers were given three guidelines: They had only 24-48 hours to shoot, a week to edit, and they needed to give a sense of a particular neighborhood. The shorts are around 10-12 minutes in length each, give or take a minute. In my mind it is misleading to summarize a few and leave the rest out, so here are my brief thoughts on all of them. Noticeable as well are the absences of titles. This time, the name of the director acts as the title for each segment, but more on that later. His or her name will appear in bold italics.

Jiang Wen – This strange short has a young man named Ben meeting a girl in a bar. He has a cell phone she left behind, and starts a conversation that is interrupted by her boyfriend. Wen instills a rather slick methodology here that I dug, and Garcia and Christensen have a solid chemistry as foes.

Mira Nair – The director of The Namesake and Monsoon Wedding crafts a tale of a Hasidic woman dealing with an Indian diamond merchant. She is about to marry, and says that she will cut off all her hair on that very day. This is one short that I flat out did not care for. Natalie Portman and Irrfan Khan are both excellent actors, but they get lost in the story. It is incredibly bizarre, and doesn’t make much sense.

Shunji Iwai – Here we have a premise that is not entirely original, but at this length, it is compact and effective. David is a composer that spends most of his time talking to the assistant of his boss. They form a connection without seeing each other. Orlando Bloom is quite dirty, but appropriately so considering he stays at home composing music for anime films, and Christina Ricci is cute with her big eyes and nice smile.

Yvan Attal – Ethan Hawke stars as a writer who tries to hit on a random Asian woman smoking on the street. This has a twist at the end, which was hilarious, and watching Hawke emit echoes of his Before Sunset/Sunrise character is always a pleasure. Attal just points and shoots, but with Hawke and a lovely Maggie Q, that’s all we need.

Brett Ratner – Anton Yelchin is a high school senior that was just dumped before the prom by Blake Lively. He is without a date, until his local pharmacist hooks him up with his own daughter, played by Olivia Thirlby. The thing is, she is confined to a wheelchair. Mark my words, this is Brett Ratner’s best work in years. He captures the area with adequately vivid detail, while Yelchin and Thirlby are outstanding in their roles. James Caan is her father, and he pops up more than once as the pharmacist.

Allen Hughes – One half of the Hughes brothers (Menace II Society, The Book of Eli) takes Bradley Cooper and Drea de Matteo as a man and woman who evidently had sex, but are going on another date to see how it goes. Their inner thoughts follow them separately as they meet up. Cooper and Matteo make an interesting pair, but this struck me as very realistic, down to Earth, and even erotic as Hughes integrates ephemeral glimpses of their first hookup.

Shekhar Kapur – In what is easily the most gorgeously directed of the stories, and a contender for the most inexplicable, Julie Christie is Isabelle, an aging singer who is waited on in a hotel room by Shia LaBeouf and John Hurt. Many will hate this segment because of its ambiguity, but I adored it. The only problem is LaBeouf and Christie speak in such a low tone that if the volume in the theater is not turned up, you might not hear every word. It is worth noting that Anthony Minghella wrote this, and their is a dedication to him at the closing credits.

Natalie Portman – In her directorial debut, Portman follows a loving father and his daughter, who looks nothing like him. Cesar de Leon plays the father, and I found this to be a very touching example of how our society judges books by their covers. Portman’s direction can hardly be praised as masterful, but she shows natural abilities that could be put to good use in the future. Cesar de Leon also gives a quiet and subtle performance.

Fatih Akin – The director behind The Edge of Heaven gives us this tale of a painter that is obsessed with a Chinese herbalist. This could have been much more moving than it was had the actors, Ugur Yucel and Qui Shu, been given more lines. Burt Young does make a nice cameo as a landlord though.

Joshua Marston – This is reminiscent of Stanley Tucci’s recent remake Blind Date, but the dialogue is so terrific with Chris Cooper and Robin Wright Penn as the leads, that the familiarity of the premise means nothing. I thoroughly enjoyed this one. Marston (Maria Full of Grace) catches the area’s aura marvelously, and has a knack for character interaction.

Shortly after the release of Paris, Je T’aime, Emmanuel Benbihy responded to some of the criticisms. The chief complaint from detractors was that the transitions were too abrupt. When one short ended, the other then began. He elected to alter this for New York, I Love You, and as I said then, the change was not necessary. For this series of stories, we might spot a character for a moment in someone else’s segment or a transition, but he/she will return later for his or her full short. They also attempt to link the stories in small ways to elicit a smooth flowing narrative. These stories should not have been edited in such a manner. It is not a flaw necessarily, but it was trivial. In the end, the viewer is also privy to a playback of clips, so as not to forget some of the shorts. Benbihy and company are trying too hard to please us, and his set up was fine before.

I’m not sure why they chose to delete the titles. Perhaps they felt this too gave the audience a bumpy segue way feeling. If this was so bothersome to people, they chose to see the wrong film. For New York, I Love You, the directors and cast list are only displayed at the final credits, complete with pictures to jog our memory. This was was ok, but I still appreciated the titles. It was suitable to begin a new story with a new vision, and by highlighting the directors name beforehand, it offered the viewer the chance to acknowledge the filmmakers. It’s almost as if they are trying to hide the fact that this is an anthology film.

Since I reviewed Paris, Je T’aime, I have seen a lot of anthology films, some good and some bad, but I have always enjoyed the smorgasbord effect. It is amazing to me that upon perusing so many articles from mainstream critics, that they all stick with the same argument for this type of movie. “It is only as good as the sum of it’s parts.” I agree with this to a point, but many critics have the attitude that because of this, the entire picture is doomed to fail, thus they seem to dismiss it before every giving the proper chance. They have the belief that unless each of the segments are equally as fulfilling, the effort is poor. This is not only ignorant, but arrogant and unfair.

Constantly reading the same carping that 10 minutes is not enough to make a connection with the characters gets old. What do they expect? The segments are not meant to be compared to full-length features. It is inevitable that one will like some shorts more than others. The point is whether or not the experience as a whole leaves a satisfying impression. Having what seems like pre-packaged complaints without affording an open mind is somewhat conceited. I will say that New York, I Love You suffers from having a segment that did not work at all in Mira Nair’s.

The task of evoking a sense of the neighborhood is not easy, but it was accomplished with adeptness considering the allocated time. The key word is “sense.” New York, I Love You and Paris, Je T’aime present tastes of the areas in their city, not the full helping. With such a small amount of time, the emphasis needs to be on characters and emotion, otherwise, this would be borderline a documentary, or a postcard, which is dull. The magnificent transition shots from Randall Balsmeyer give us fleeting tours of the city, and showcase the various landmarks with single shots, and that is all we really need to see of certain monuments. An important theme is that personalities and culture are just as crucial to the atmosphere of a city as the tourist attractions and reputation, and this provided a graceful outlook of New York City as a melting pot.

When the film was screened at the Toronto Film Festival, it apparently included two more segments. One was the directorial debut of Scarlett Johansson, which featured Kevin Bacon, and the other by Andrei Zvyganistev, which featured Carla Gugino. I can only assume these were cut to improve the final cut. After the success and positive buzz of Paris, Je T’aime made its rounds, a trilogy was envisioned. Now, at least three more installments are on the horizon in Shanghai, Jerusalem, and Rio. I say bring ‘em on. On a side note, I have read that some people were wondering why recognized New Yorkers like Woody Allen or Martin Scorsese did not participate. Well, they tried an anthology film once (New York Stories), and it did not turn out well.

With an awkward structural change, and a couple missteps in the segments, New York, I Love You is far from perfect, but enchanting all the same. With all the by-the-numbers romantic comedies raking in the cash these days, I would take another installment of this series anyday. It is breezy entertainment, but occasionally profound, and always fairly inventive. Love works in weird ways, and one never knows how they will find or lose it, but people have unusual encounters and exchanges in every city. That is what makes New York, I Love You such a tender and delightful treat. It conveys just how big this world is, and how many mesmerizing stories there are to tell…one city at a time.

The 411: New York, I Love You makes some odd changes to the structure and layout of the anthology film that weren’t needed, but the content is still very heartwarming, funny, and profound. Each of the 10 directors offer their own tale of love, and how it can work differently in everyone’s life. There were one or two I did not care for, but overall, this was a terrific film, and will hopefully get more people interested in the various filmmakers. This is not quite a wide release yet, and might not expand, but then again, neither did the first film. See it if you can, or remember it for DVD.

Final Score: 8.0 [ Very Good ]

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So if you’ve been waiting for the film, you can see a lot of it right now. If you’re not familiar with “New York, I Love You”, the film’s got a huge cast and eleven directors telling stories about New York City and love.

View the clips by clicking on the link below.

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Take a look:
New York I Love You movie poster. Here’s the synopsis, cast and directors:
In the city that never sleeps, love is always on the mind. Those passions come to life in NEW YORK, I LOVE YOU – a collaboration of storytelling from some of today’s most imaginative filmmakers and featuring an all-star cast. Together they create a kaleidoscope of the spontaneous, surprising, electrifying human connections that pump the city’s heartbeat. Sexy, funny, haunting and revealing encounters unfold beneath the Manhattan skyline. From Tribeca to Central Park to Brooklyn the story weaves a tale of love as diverse as the very fabric of New York itself.

Cast: Bradley Cooper, Justin Bartha, Andy Garcia, Hayden Christensen, Rachel Bilson, Natalie Portman, Irrfan Khan, Emilie Ohana, Orlando Bloom, Christina Ricci, Maggie Q, Ethan Hawke, Anton Yelchin, James Caan, Olivia Thirlby, Blake Lively, Drea De Matteo, Julie Christie, John Hurt, Shia LaBeouf, Ugur Yucel, Taylor Geare,Carlos Acosta, Jacinda Barrett, Shu Qi, Burt Young, Chris Cooper, Robin Wright Penn, Eva Amurri, Eli Wallach, Cloris Leachman

Directors: Jiang Wen, Mira Nair, Shunji Iwai, Yvan Attal, Brett Ratner, Allen Hughes, Shekhar Kapur, Natalie Portman, Faith Akin, Joshua Marston, Randy Balsmeyer.

The film features an all-star cast, including Orlando Bloom, Bradley Cooper, Rachel Bilson (and fiancé Hayden Christensen), Christina Ricci, Ethan Hawke, Shia LaBeouf, Blake Lively and James Caan.

The studio behind the project, Vivendi Entertainment, describes the movie as “a collaboration of storytelling from some of today’s most imaginative filmmakers” who “create a kaleidoscope of the spontaneous, surprising, electrifying human connections that pump the city’s heartbeat.”

Natalie Portman, who stars in the film, also spent some time working behind the camera. She’s credited as a screenwriter and one of 11 directors, along with Brett Ratner (whose credits include Rush Hour and X-Men: The Last Stand).

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Darth Vader livesThe Fall of Anakin Skywalker

Hardcore “Star Wars” fans like me have some issues with George Lucas’s approach to the most recent trilogy, starting with 1999’s “The Phantom Menace.” Wherever your opinions fall with regards to the new movies, it’s hard to say a foul word against Anakin Skywalker’s (Hayden Christensen) beautifully orchestrated descent into the Dark Side of the Force. In addition to be able to witness the birth of Darth Vader, “Revenge of the Sith’s” climactic lightsaber duel between Obi-Wan Kenobi (Ewan McGregor) and Skywalker, his former pupil, adds new context to “A New Hope’s” — the first movie released in the series — rematch saber duel.

Han Solo and ChewbaccaHan Solo and Chewbacca

Han Solo (Harrison Ford) and his Wookiee first mate Chewbacca (Peter Mayhew) are truly a buddy duo for the ages. Han is an unabashed rogue, a charmer, gambler, smuggler, con artist and all-around scoundrel. The stream of arrogant bluster that issues forth from his mouth is so constant that you barely notice how unintelligible his pal Chewbacca is. Chewie is the duo’s heart, a big lug of a walking carpet who makes up for his language barriers with fiercely loyal actions.

Boba FettBoba Fett

The only thing cooler than a Jedi-killing bounty hunter is a Jedi-killing bounty hunter in Mandalorian armor. Boba Fett’s menacing appearance can be credited almost entirely to the ancient armor he wears, which is fully equipped with a jetpack, wrist-mounted rocket launcher and all manner of other gadgets. Of course, it doesn’t hurt that he carries a nasty-looking disintegrator blaster, or that he wears locks of Wookiee fur as trophies of his previous kills. Anyone who can take down multiple 6-plus-foot-tall humanoid beasts with sharp fangs and retractable claws is someone you should steer clear of. Unless you happen to be close to a Sarlacc Pit, that is.

Darth MaulDarth Maul

I’m not afraid to say that “Episode I: The Phantom Menace” is the worst of the six “Star Wars” movies. A lot of you will probably agree. I’m also not afraid to say that “Phantom” features the best of the movies’ lightsaber duels, even topping Yoda’s throwdown with Count Dooku (Christopher Lee) in “Episode II” and the Obi-Wan/Anakin showdown from “Episode III.” This has everything to do with “Phantom’s”Darth Maul (Ray Park), who wields a double-bladed lightsaber and a considerable array of martial arts skills. He takes on two Jedi at “Episode I’s” climax, both of them master swordsmen: Obi-Wan Kenobi and Qui-Gon Jinn (Liam Neeson). The fight maintains a respectable action pace until its final moments, when Obi-Wan, stricken with grief, advances on Maul with unbound fury. It’s a standout moment for the series, and it even makes the otherwise unbearable “Phantom Menace” worth watching.

Lightsabers are coolLightsabers

Forget “Star Wars” for a moment. Lightsabers may very well be sci-fi’s single-coolest gadget, period. They appear to be little more than a long, metal cylinder; turn one on and a brightly colored energy blade issues forth from what turns out to be a sword hilt. Lightsabers are the trademark tools of the Jedi Order. There are scant few to be seen in the original trilogy, after the Order has fallen, but the newer trilogy serves up a lightsaber overload as we get to see Jedi Knights and Masters wielding the “elegant weapon” before the dark days of the Galactic Empire.

There’s one final reason you should tune in for this weekend’s “Star Wars” marathon on MTV. On Sunday night at 11pm, right after “Episode IV” ends, you’ll be able to get some insider Hollywood scoops on the latest episode of “Behind the Screen.” You’ll be able to catch “Land of the Lost” cast interviews with Will Ferrell and Danny McBride, the broadcast premiere of Sacha Baron Cohen’s “Brüno” trailer, a visit to the set of “Get Him to the Greek” with Russell Brand and two exclusive clip premieres, for Quentin Tarantino’s “Inglourious Basterds” and Rob Zombie’s “Halloween” follow-up, “H2.” So tune in to MTV for an epic weekend of classic sci-fi and exclusive first looks.
Source: MTV.Com

New York, I love you has an all-star cast which includes Bradley Cooper, Justin Bartha, Andy Garcia, Hayden Christensen, Rachel Bilson, Natalie Portman, Irrfan Khan, Emilie Ohana, Orlando Bloom, Christina Ricci, Maggie Q, Ethan Hawke, Anton Yelchin, James Caan, Olivia Thilrlby, Blake Lively, Drea de Matteo, Julie Christie, John Hurt, Shia LaBeouf, Ugur Yucel, Taylor Geare, Carlos Acosta, Jacinda Barrett, Shu Qi, Burt Young, Chris Cooper, Robin Wright Penn, Eva Ammuri, Eli Wallach and Cloris Leachman.

The best part of the movie, other than the talented cast, is the fact that it is created by some of today’s most imaginative filmmakers from all over the word. For example, Jian Wen, Mira Nair, Shunji Iwai, Yvan Attal, Brett Ratner, Allen Hughes, Shekhar Khapur, Natalie Portman (another newbie in the directorial world), Fatih Akin, Joshua Marston and Randy Balsmyer. Each filmmaker brings to the movie, his or her own vision, his or her own take on love in New York.

On the other hand, having all those big name actors can take away from the message of the movie. People go to see the movie in order to catch a glimpse of Shia LaBeouf and Blake Lively more than for the love story line taking place on-screen. Then there are all the no-name stars who have to compete with these big stars and have to make their segments of the movie just as compelling for audience members.

Although, Scarlett Johansson’s directorial debut was given the boot, according to producer Emmanuel Benbihy, because it was different and didn’t fit in with the rest of the movie; not because it was bad, you still have the star-studded cast and unique plot structure. The movie comes out on October 16th and is the second of a series of “Cities of Love” movies conceived by Benbihy.

Will the movie be a success? Only time can tell. Either way, this romantic drama will entertain you and give you a diverse take on love, from all five boroughs of New York. Source

The pic includes segments directed by Jian Wen, Mira Nair, Brett Ratner, Allen Hughes, Shekhar Khapur, Natalie Portman, Fatih Akin, Joshua Marston and Randy Balsmyer.

Cast is comprised of Bradley Cooper, Andy Garcia, Hayden Christensen, Rachel Bilson, Natalie Portman, Irrfan Khan, Emilie Ohana, Orlando Bloom, Christina Ricci, Maggie Q, Ethan Hawke, James Caan, Blake Lively, Drea de Matteo, John Hurt, Shia LaBeouf, Burt Young, Chris Cooper, Eli Wallach and Cloris Leachman.

The project follows along the same lines as “Paris Je T’aime” as the second in a series of “Cities of Love” movies conceived by Emmanuel Benbihy, who produced this film with Marina Grasic (“Crash”). “Cities of Love” productions are being set up in Shanghai, Rio de Jainero, Berlin and Jerusalem.